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　　ITV版《泰坦尼克号》聚焦不同的阶层的乘客、船员，通过多视角来展现泰坦尼克号当时的方方面面。观众们将和角色们一起经历泰坦尼克号沉船前的几个小时，经历那从愉悦到悲痛的落差感以及生离死别。主人公们地位的差别，政治上的倾向也许直接影响到他们的生死，还有男女之间的一见钟情和夫妻之间的相濡以沫，可以说，泰坦尼克号上的人物，完全可以展现当时英国资产阶级的众生相

　　马斯克为了改变世界所做的事比世上任何人都多。本纪录片访问和他关系最紧密的人，包括他的亲友和敌人，揭示是什么事件令他成为史上最富有的男人。

　　因服用禁药而被禁赛后，曾获奥运会奖牌的竞走选手阿莱克斯·施瓦泽雇佣一个指控他的人帮他东山再起

　　It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?　　Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections.　　While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.

　　改編自人氣漫畫圖文創作《我是馬克》。職場魔幻喜劇電影。講述一個職場社畜馬克（盧廣仲飾演）每天加班，最終換來死神阿死（黃宣飾演）準備將他帶走，豈料阿死也是個社畜，非但帶不走馬克，還因為迷糊搞錯人……